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The Guardians

Robert Koenig 1982

Another carefully-sited work by Robert Koenig, 'The Guardians' sit atop a rocky outcrop, just down the road from their 'Private Meeting' brethren. Two figures (one male, one female) carved from wood, they were once upon a time huddled under a small roof akin to one you'd find above a church gate, but their small shelter collapsed some years ago, so now only the couple and their seats remain.

To find them, from the point where the Silurian Way turns off the forest road to the right, just after 'Private Meeting', take the small footpath which veers off to the left instead of continuing along the Silurian Way. This path winds around the back of the rock which the sculpture sits upon, mercifully saving you the trouble of scrambling up the rockface.

It's an intimate piece. Robert Koenig has often talked about his preference for working with wood, locally sourced wood in particular, as can be seen in his other works at Grizedale. He said of 'The Guardians' at the time:

"The Guardians were carved from timber found in the area and were finally placed on top of a cliff nearby, as guardians of the cliff on which they are sited."

Koenig immersed himself in the forest entirely during his residency, becoming one with the woodland and of course, the English weather, as Bill Grant explains in 'A Sense Of Place':

"Robert Koenig, a young man of Polish extraction and of a very quiet, reticent disposition, silently stalked around the forest, leaving behind him three highly figurative pieces and four abstract works. The Guardians and Private Meeting are popular with the public and in view of the fact that it rained almost solidly while he was here, the studio really proved its worth. Before he left he produced a magnificent four-poster bed, in carved oak, which now occupies the master bedroom in Henry Crabtree's guest house."

Also by this artist:

Compound For Redundant Symbols 1982

Multiple Arch 1982

Private Meeting 1982

Triangular Suspension 1982

Trophies 1982

The Signpost 1983

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